Paul Smit  Mick Palarczyk | Features, Photos and TextTwo faces, one philosophy |
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FEATURE (Category: Europe | Russia | spring | scenic drives | cultural-historical | religion)
Russia: The Golden Ring
Russia: The Golden Ring
The Golden Ring is a loop of very old towns northeast of Moscow that preceded the present capital as the cultural heart of Russia. Monasteries, kremlins and churches offer a spectacular array of early Russian art, architecture and history. No less enchanting is the countryside with its peaceful villages and beautifully decorated wooden houses.
![Smit & Palarczyk > [RUSSIA.GOLDENRING 25.995]
'Art student.'
In the spring art students from the whole of Russia gather in Suzdal to practice the painting of Russian church architecture. This student from the southern Ural is working on the earthen wall which surrounds the Suzdal Kremlin. The two white buildings on the left are the Epiphany Church (1781) and the small Nativity Church (1739). To the right the huge bell-tower of the Convent of the Deposition of the Robe reaches into the sky. Photo Mick Palarczyk.](/img/spacer.gif "Smit & Palarczyk > [RUSSIA.GOLDENRING 25.995]
'Art student.'
In the spring art students from the whole of Russia gather in Suzdal to practice the painting of Russian church architecture. This student from the southern Ural is working on the earthen wall which surrounds the Suzdal Kremlin. The two white buildings on the left are the Epiphany Church (1781) and the small Nativity Church (1739). To the right the huge bell-tower of the Convent of the Deposition of the Robe reaches into the sky. Photo Mick Palarczyk.")
[RUSSIA.GOLDENRING 26.003]
‘Iconostasis door.’
Central door in the 17th century iconostasis of Suzdal’s Nativity Cathedral. Among the icon-painters was Grigory Zinovyev, one of the tsar’s most gifted artists. The iconostasis separates the nave from the sanctuary in an Orthodox church. Photo Mick Palarczyk.
‘Iconostasis door.’
Central door in the 17th century iconostasis of Suzdal’s Nativity Cathedral. Among the icon-painters was Grigory Zinovyev, one of the tsar’s most gifted artists. The iconostasis separates the nave from the sanctuary in an Orthodox church. Photo Mick Palarczyk.
[RUSSIA.GOLDENRING 26.003]
‘Iconostasis door.’
Central door in the 17th century iconostasis of Suzdal’s Nativity Cathedral. Among the icon-painters was Grigory Zinovyev, one of the tsar’s most gifted artists. The iconostasis separates the nave from the sanctuary in an Orthodox church. Photo Mick Palarczyk.
‘Iconostasis door.’
Central door in the 17th century iconostasis of Suzdal’s Nativity Cathedral. Among the icon-painters was Grigory Zinovyev, one of the tsar’s most gifted artists. The iconostasis separates the nave from the sanctuary in an Orthodox church. Photo Mick Palarczyk.
filename: russia-goldenring-26003 |
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